Anthotype
Printing using ultraviolet light (as from the sun) to bleach parts of an image coated in photosensitive emulsion (made from plant materials).
SLOW GROWING
Turmeric and isopropyl alcohol anthotype on printmaking paper. Exposure taken over the course of 4 days outside in the sunny southern California summer.
2025
Cyanotype
Photo-sensitive chemical process (ferric ammonium citrate and potassium ferricyanide) applied to natural fiber paper or cloth, used for art printing (for example printing the silhouette of objects such as plants) and also for reprography (blueprints).
REACHING FOR THE SUMMER SUN
Small edition of 3 prints, pulled from a glass plate composition with plants, strings, recycled plastic, ink, and paint.
2025
the plate:
test botanical prints on fabric
2025
UNRESOLVED SEARCHING
Sun-printed with ferns found growing near a spring along the southern slope of Mt Waterman.
2025
SUMMER SEED
2025
CLOCKWORK
2025
Monotype
Print taken by applying medium (paint or ink) to a surface (such as glass) and transferring to the printing paper by pressing the two together. Many of my monotypes involve building up layers over multiple pulls and unconventional matrix materials (recycled plastic, for example).
FORGOTTEN FACE (1)
Acrylic paint printed via glass and plastic on printmaking paper.
2025
RAVEN IN RECLAIMED INK
Monotype pulled from waste intaglio ink well on glass plate, wiped with paper, scrim, and cotton.
2025
TAKE IN THE NETS
Monotype in acrylic paint taken from glass plate with India ink on printmaking paper.
2025
SURPLUS NITROGEN, SINGLE ORIGIN
Monotype in acrylic paint pulled from glass plate with conte crayon on printmaking paper.
2025
Relief
unnamed
Linocut.
2025
Small edition of linocuts as labels for our homemade limoncello.
Collagraph
Collage-based printing method, combining materials with varying textures and profiles to achieve the resulting printing plate. May be inked intaglio, relief, or a combination of both.
These are my first results from playing with this printmaking method.
Intaglio
I’ve etched a few simple demo plates, but haven’t had great success in pulling prints by hand. I don’t have ready access to an etching press. So I’m continuing to experiment with techniques to improve results.